Savannah Lamal

Lamal works across painting, photography, sculpture, installation, architecture, and sound. Her practice engages the material and perceptual conditions of experience, treating form, space, and process as sites for inquiry. Through open-ended experimentation, she examines how systems of making and seeing construct meaning within contemporary and historical contexts.


Selected Work

GRANT LAGARDE - PLAYS THE WORLD
THE ROOM NEXT DOOR
MASKED PORTRAITS
PALIMPSEST
OSINT
WEST (A LONG LOOK AT ORANGE AND BLUE)
FALLOUT
VOLUMES



CV
Email



Sound Oriented Work

Grant Lagarde
Grant Lagarde

Fieldwork Devices
Fieldwork Devices

Caviar Dreams

Forest Graham

CV





b. 1977, France. Raised in Vancouver British Columbia, Canada
               
2007    
B. Arch, The Irwin S. Chanin School of Architecture , The Cooper Union, New York, NY, USA

2000
B. AA, School of Interior Design, Toronto Metropolitan University, Toronto, Ontario, Canada



Group Shows

2026    Grant Lagarde, Santa Fe Noise Ordinance, Santa Fe, NM  collaboration with Forest Graham

2024    Caviar Dreams, Santa Fe Noise Ordinance, Ghost, Santa Fe, NM  collaboration with Forest Graham

2023    FWD, Santa Fe Noise Ordinance, Bob’s Galleria, Santa Fe, NM  collaboration with Forest Graham and Jon Almaraz

2019    West (A long View The Color or Orange And Blue), Incantations-Mojave Sound Art, Wonder Valley, CA  collaboration with Forest Graham

2018    Fallout, Jack Webster Projects, Los Angeles, CA  collaboration with Forest Graham

2017    After The Plague, Jack Webster Projects, Los Angeles, CA  collaboration with Forest Graham

2013    Volumes, The Beaver Mill, North Adams, MA  collaboration with Forest Graham

2011    The Due Return, Center for Contemporary Art (CCA), Santa Fe, NM  collaboration with Meowolf


Lamal works across painting, photography, sculpture, installation, architecture, and sound. Her practice engages the material and perceptual conditions of experience, approaching form, space, and process as active sites of inquiry. Through open-ended experimentation, she investigates how systems of making and seeing construct meaning across both contemporary and historical contexts.

While working as an architect at Herzog & de Meuron, designing spaces for the exhibition of art, Lamal became increasingly aware of a parallel impulse, to move beyond framing the conditions for art and instead participate directly in its making. This realization marked a decisive shift: from that point onward, her own art practice began to take shape, evolving alongside and in dialogue with her architectural work.